Deborah Pittman
Clarinetist/Teacher
Current Positions
• Woodwind Coach, Chamber Musicians of Northern California, (since 1995)
• Woodwind Coach, Cal Cap Chamber Music Workshop (formerly Chico Chamber Music Workshop, (since 1991)
• MôD Artists (Clarinet, Native American Flutes)
Former Positions
• Professor Emeritus of Clarinet, CSU Sacramento (1991-2012)
Studio Clarinet, Clarinet Repertoire Class, American Society and its Music, Introduction to Jazz, American Musical Theatre, First Year Experience
• Artist in Residence, Crocker Museum 2011-2012
• Consultant, California Arts Project, UCD (1996-2002)
• Artist in Residence, Sacramento Light Opera Association, Theater Education Project (1996-2002)
• Lecturer, UC Davis, 9/89 - 6-91
Introduction to Music Literature, Music of African Americans, The Symphony Orchestra in Modern Society
• Lecturer, UC Davis, Studio Clarinet 1989-1999
• Woodwind Coach, Sacramento Youth Symphony, (1984-99)
• founding member, UC Davis Faculty Wind Quintet 1992- 1999
• Clarinet, Davis Arts Flextet, 1994- 1996
• Clarinet/Bass Clarinet, UCD Contemporary Music Players, 1988- 1994
• Second and Bass Clarinet, Sacramento Symphony Orchestra, 1981 - 1990
• Clarinet/Bass Clarinet, Goldman Band (AKA: Goldman Memorial Band), 1973 – 1990
• Principal Clarinet, Dance Theatre of Harlem Orchestra, NY seasons. 1975 & 1987
• Co-principal Clarinet, The Orchestra of New York (CETA), 1979- 1980
• Clarinet, Broadway pit orchestras, 1979 - 1981.
• Woodwind Instructor, Brooklyn College Conservatory, Preparatory Division, 1978 - 1981
• Section Clarinet, Brooklyn Philharmonic, 1978 - 81
• Co-principal and Bass Clarinet, State Symphony of Mexico (OSEM), 1977 - 78
• Clarinet Minor, Manhattan School of Music, 9/79 - 8/80
• Woodwind Studio, Hebrew Educational Society, 9/74 - 6/76
• Woodwind Studio, Brooklyn Conservatory, 9/73 - 6/76
• Clarinet Instructor, Williamsburg Settlement Music School, 1971 - 1972
• Second Clarinet, Symphony of the New World, 1975 -77
Education
• Doctor of Musical Arts, Clarinet/Performance, Manhattan School of Music, New York. Course work completed 1983. Dissertation: The Bass Clarinet in the Orchestral Literature: An Annotated Collection of Excerpts (ABD)
• Master of Arts, Clarinet/Performance, Brooklyn College Conservatory, New York, 1976
• Bachelor of Science, Clarinet/Performance, Brooklyn College Conservatory, New York, 1974
Compositions
• Small Shoulders/Big Dreams- commissioned by Crocker Museum 2012
• The World According to Earl (Berkeley Premiere 2011)
• Harriet and Anne- NY off-Broadway showcase, 2005 (a collaboration with Laurie Friedman)
• In the Land of Pickle Snout Gouch, (premiered 2001 commissioned by the Sacramento Youth Symphony
• Niam: Portrait of a Gnome, (premiered 1999) - developed for the Family Concert Series at CSUS - based on the music and pictures of Mussorgsky’s Pictures at an Exhibition
• Peter in the Hood (2000) - based on Peter and the Wolf, by Prokofiev
Music Director
• Joseph and the Amazing Technicolor Dreamcoat
• Amahl and the Night Visitors
• Lost in the Stars
• Honk!
Summer Festivals
• Apple Hill Center for Chamber Music (2002- 2008)
• Yachats Festival by the Sea, Yachats, Oregon, 1988 - 1992
• Music in the Mountains, Nevada City, California, 1983 – 92 & 2006
• Aspen Music Festival, Aspen, Colorado, 1971 & 1972
Recordings
• Featured soloist on Music Between Two Continents: Maria A. Niederberger, “Sounds of Space Time,” 1996
• The Goldman Band, A Bicentennial Celebration: 200 Years of American Music, 1975
Administrative Positions
• Co-Director, ChicoSac Chamber Music Workshop, 2003
• Director, CSUS ArtsBridge, an outreach program connecting University student arts “Scholars” and K-12 classrooms. 2001-2003
• Developer/Coordinator, Urban School Collaborative “Adopt an Artist” Program for an inner city elementary school with students speaking over 13 languages. Goal: to facilitate language acquisition through the Arts. 1994-95
• Co-Director, California Arts Project, UC Davis, 1995
• Co-Director, California Arts Project, UC Davis, 1994
• Director, California Arts Project, UC Davis, 1993